{"id":28,"date":"2024-04-23T13:19:14","date_gmt":"2024-04-23T13:19:14","guid":{"rendered":"https:\/\/sophieteunissen.com\/?page_id=28"},"modified":"2026-04-14T09:07:48","modified_gmt":"2026-04-14T08:07:48","slug":"cv","status":"publish","type":"page","link":"https:\/\/sophieteunissen.com\/index.php\/personalia\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"\t\t
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EXHIBITIONS<\/strong><\/p>\n

Hectobar<\/a>,\u00a0<\/strong>Nieuw Charlois (Rotterdam, NL)
swap & sale event\u00a0 \u00a0 –\u00a0 \u00a0 2026<\/em><\/p>\n

Release show L’orne,\u00a0<\/strong>V11 (Rotterdam, NL)
presentation of album artworks<\/a>\u00a0 \u00a0 –\u00a0 \u00a0 2025<\/em><\/p>\n

Release show L’orne,\u00a0<\/strong>Cinetol (Amsterdam, NL)
presentation of album artworks<\/a>\u00a0 \u00a0 –\u00a0 \u00a0 2025<\/em><\/p>\n

Printed Matter<\/strong><\/a>, De Nieuwe Gang<\/a> (Beuningen, NL)
group exhibition, printmaking triennial\u00a0 \u00a0 –\u00a0 \u00a0 2025<\/em><\/p>\n

First Contact<\/a>,<\/strong> Analoog Studio<\/a> & Wolf Books<\/a> (Arnhem, NL)
group exhibition\u00a0 \u00a0 –\u00a0 \u00a0 2025<\/em><\/p>\n

\u00a0Ledententoonstelling Grafiekplatform<\/strong><\/a>, Bergkerk (Deventer, NL)
group exhibition\u00a0 \u00a0 –\u00a0 \u00a0 2025<\/em><\/p>\n

VirusGrafiek<\/strong>, printmaking fair (Middelburg, NL)
stand at art fair\u00a0 \u00a0 –\u00a0 \u00a0\u00a02025<\/em><\/p>\n

Grafikb\u00f6rse<\/strong><\/a>,German-Dutch printmaking fair (Borken, DE)
stand at art fair\u00a0 \u00a0 –\u00a0 \u00a0\u00a02025<\/em><\/p>\n

Homo Caesuriensis<\/strong><\/a>, Caesuur (Middelburg, NL)
collaboration, work period and presentation \u00a0 \u00a0 –\u00a0 \u00a0 2025<\/em><\/span><\/p>\n

First Contact<\/a>,<\/strong> Analoog Studio<\/a> & Wolf Books<\/a> (Arnhem, NL)
group exhibition\u00a0 \u00a0 –\u00a0 \u00a0 2024<\/em><\/p>\n

Vespertine,<\/strong> Notre Dame Des Arts<\/a> (Ubbergen, NL)
duo exhibition with Sjoerd Tegelaers\u00a0 \u00a0 –\u00a0 \u00a0 2024<\/em><\/p>\n

Cosmic fog,<\/strong> Mon Capitaine<\/a> (Middelburg, NL)
solo exhibition\u00a0 \u00a0 –\u00a0 \u00a0 2024<\/em><\/p>\n

Limburg bi\u00ebnnale<\/a>,<\/strong> Marres (Maastricht, NL)
art biennial\u00a0 \u00a0 –\u00a0 \u00a0\u00a02024<\/em><\/p>\n

Ger Driessen & GWN<\/strong><\/a>,\u00a0<\/strong>De Nieuwe Gang (Beuningen, NL)
group exhibition\u00a0 \u00a0 –\u00a0 \u00a0\u00a02024<\/em><\/p>\n

Grafikb\u00f6rse<\/strong><\/a>,\u00a0<\/strong>German-Dutch printmaking fair (Borken, DE)
stand at art fair\u00a0 \u00a0 –\u00a0 \u00a0\u00a02024<\/em><\/p>\n

Untitled, <\/strong>Gallery D\u00e9d\u00e9 Grutzmacher<\/a> (Enschede, NL)
group exhibition with Noor van Welsen and Arianne Moerman\u00a0 \u00a0 –\u00a0 \u00a0\u00a02024<\/em><\/p>\n

Counterbodies 4<\/a>, <\/strong>G\u00c6A STUDIO, De Achtertuin\u00a0(Rotterdam, NL)
group exhibition\u00a0 \u00a0 –\u00a0 \u00a0\u00a02023<\/em><\/p>\n

Kunst onderweg<\/strong><\/a>,\u00a0<\/strong>Trafohuisje (Ooijpolder, Nijmegen, NL)
work in public space\u00a0 \u00a0 –\u00a0 \u00a0\u00a02023<\/em><\/p>\n

Art Eindhoven<\/strong><\/a>,\u00a0<\/strong>Klokgebouw (Eindhoven, NL)
shared stand at art fair\u00a0 \u00a0 –\u00a0 \u00a0\u00a02023<\/em><\/p>\n

Nationale Kunstdagen<\/strong><\/a>,<\/strong>\u00a0Evenementenhal Gorinchem (NL)
shared stand at art fair\u00a0 \u00a0 –\u00a0 \u00a0\u00a02022<\/em><\/p>\n

Grafiek22<\/strong><\/a>,\u00a0<\/strong>Robson (Enschede, NL)
group exhibition, national print triennial\u00a0 \u00a0 –\u00a0 \u00a0\u00a02022<\/em><\/p>\n

De Prent<\/strong>, Museum ’t Oude Slot<\/a> (Veldhoven, NL)
group exhibition with members of Grafiekplatform–\u00a0 \u00a02022\/2023<\/em><\/p>\n

Het Innerlijk Landschap<\/strong><\/a>,\u00a0<\/strong>Trafohuisje (Ooijpolder, Nijmegen, NL)
work session and participation of the project by Bart Drost\u00a0 \u00a0 –\u00a0 \u00a0\u00a02022<\/em><\/p>\n

Untitled<\/strong>, Gallery D\u00e9d\u00e9 Grutzmacher<\/a> (Enschede, NL)
group exhibition with Riet Sch\u00e4ning and Lex Pauka\u00a0 \u00a0 –\u00a0 \u00a0\u00a02022<\/em><\/p>\n

GraficaRi<\/strong><\/a>, Akademija primijenjenih umjetnosti (Rijeka, HR)
group exhibition\u00a0 \u00a0 –\u00a0 \u00a0\u00a02022<\/em><\/p>\n

Hommage \u00e0 trois<\/strong><\/a>, AIDA (St. Carles de la R\u00e0pita, ES)
finalist in the competition, group exhibition-\u00a0 \u00a02021\/2022<\/em><\/p>\n

40×40 Novene<\/strong><\/a>, Grafisch atelier Friesland (Leeuwarden, NL)
group exhibition\u00a0 \u00a0 –\u00a0 \u00a0\u00a0202<\/em>1<\/em><\/p>\n

168H<\/strong><\/a>, Instagram
online workweek\u00a0 \u00a0 –\u00a0 \u00a0\u00a02021<\/em><\/p>\n

Artist in Residence<\/a><\/strong>,\u00a0Lokalen\u00a0(Lichtenvoorde, NL)
residency & exhibition\u00a0 \u00a0 –\u00a0 \u00a0\u00a02021<\/em><\/p>\n

In Het Midden<\/strong><\/a>,\u00a0<\/strong>TAC\u00a0(Eindhoven, NL)
<\/strong>curator\u00a0 \u00a0 – \u00a0 \u00a02019<\/em><\/p>\n

Sophie’s Bic Stories<\/strong>, Studio\/K\u00a0(Amsterdam, NL)
solo exhibition\u00a0 \u00a0 – \u00a0 \u00a02018<\/em><\/p>\n

Sophie’s Bic Stories<\/strong><\/a>,\u00a0de Aanschouw (Rotterdam, NL)
solo exhibition\u00a0 \u00a0 – \u00a0 \u00a02018<\/em><\/p>\n

This Art Fair<\/strong>, Beurs van Berlage (Amsterdam, NL)
shared stand at art fair with students of Bcademie\u00a0\u00a0 \u00a0– \u00a0 \u00a02016<\/em><\/p>\n

Graduation Show<\/a><\/strong>, AKV|St. Joost (Breda, NL)
<\/strong>group exhibition\u00a0with\u00a0all fine art graduates \u00a0 \u00a0– \u00a0 \u00a02016<\/em><\/p>\n

Sophie’s Bic Stories<\/strong>, het Hijgend Hert (Breda, NL)
solo exhibition \u00a0 \u00a0– \u00a0 \u00a02016<\/em><\/p>\n

She’d asked me why\u00a0<\/em>I just went on ’n told her<\/a><\/strong>, de Fabriek (Eindhoven, NL)
group exhibition\u00a0with\u00a0all fourth year\u00a0fine art students \u00a0 \u00a0– \u00a0 \u00a02016<\/em><\/p>\n

Hauptsache Schwierig<\/strong>, Kopse Kant of Electron (Breda, NL)
group exhibition with all third year\u00a0fine art students \u00a0 \u00a0– \u00a0 \u00a02015<\/em><\/p>\n<\/div>\n<\/div>\n

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CV<\/strong> \u00a0\u00a0\u00a0 Sophie Teunissen<\/strong><\/p>\n

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Born: August 1992 in Amsterdam, the Netherlands
Currently working and living in Rotterdam, the Netherlands<\/p>\n

info@sophieteunissen.com<\/p>\n

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\u00a0<\/div>\n

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EDUCATIONS<\/strong><\/p>\n

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2019 \u2013 2022\u00a0 \u00a0 \u00a0 (Pre-) Master Arts, Culture and Society
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Erasmus University,\u00a0Rotterdam<\/em><\/p>\n

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2016\u00a0\u2013 2017\u00a0 \u00a0 \u00a0 Bcademie
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Rotterdam<\/em><\/p>\n

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2012 \u2013 2016 \u00a0 \u00a0 \u00a0Bachelor Fine Arts
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0AKV | St. Joost, Breda<\/em><\/p>\n

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2011 \u2013 2012\u00a0 \u00a0 \u00a0 Preparatory year
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Gerrit Rietveld Academy, Amsterdam<\/em><\/p>\n

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2010 – 2011\u00a0 \u00a0 \u00a0 Philosophy (graduated first year)
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0University of Amsterdam, Amsterdam\u00a0<\/em><\/p>\n

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<\/em>Instagram
<\/a>Facebook
<\/a>LinkedIn<\/a>
<\/a>Art Office<\/a><\/p>\n

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Member of\u00a0Grafiekplatform<\/a>\u00a0since 2021.<\/p>\n

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\u00a0<\/div>\n

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GRANTS<\/strong><\/p>\n

Praktijkbijdrage <\/strong>for Vespertine<\/em><\/a>
CBK\/Art Office\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 2024<\/em><\/p>\n

Praktijkbijdrage <\/strong>for Counterbodies 4<\/em><\/a>
CBK\/Art Office\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 2023<\/em><\/p>\n

Makersloket
<\/strong>Stichting Droom en Daad\u00a0 \u00a0 \u00a02021<\/em><\/p>\n

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\u00a0<\/div>\n

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COLLECTIONS<\/strong><\/p>\n

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Biblioteca Nacional de Catalunya
<\/strong>Barcelona (Spain)<\/p>\n

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Collection of International Exhibition of Prints and Artist\u2019s Books Rijeka
<\/strong>GraficaRi –\u00a0<\/em>Academy of Applied Arts, Rijeka (Croatia)<\/p>\n

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PUBLICATIONS<\/strong><\/p>\n

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Raam<\/strong> 25#2
Magazine, ‘Vers van de pers’ p. 20-21, 2025<\/p>\n

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De Aanschouw<\/strong><\/a>
publication, ISBN 9789462625341, Waanders Uitgevers, 2023<\/p>\n

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De Prent – Sleutel tot eigentijdse grafiek<\/strong><\/a>
catalogue, Grafiekplatform, 2022

Raam<\/strong>\u00a021#4
Magazine, ‘Nieuwe aanwas’ p. 42, 2021<\/p>\n

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Interview with Lammert Kamphuis<\/strong>
<\/strong><\/a>interview with Lammert Kamphuis for DURF! Magazine, 2017
<\/strong><\/a>
<\/strong>Interview with Erik Kessels<\/strong>
<\/strong>interview with Erik Kessels for DURF! Magazine, 2017

<\/strong><\/a>Kan alleen een kluizenaar werkelijk authentiek zijn?
<\/strong>blog about authenticity for DURF! Magazine, 2017<\/p>\n

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Parkproject_49m2<\/strong>
<\/strong><\/a>article about an art project of Gerrit-Jan Smit, 2016<\/p>\n

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De bolhoed en het zakhorloge<\/strong>
<\/strong>article about the work of Roeland Verhallen for De Fusie, 2016

Er tussen<\/strong>
collaborative publication with Hanna Naske and Romee van Oers, 2014

Pantyhose<\/strong><\/a>
admission assignment for AKV|St. Joost, 2012<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

EXHIBITIONS Hectobar,\u00a0Nieuw Charlois (Rotterdam, NL)swap & sale event\u00a0 \u00a0 –\u00a0 \u00a0 2026 Release show L’orne,\u00a0V11 (Rotterdam, NL)presentation of album artworks\u00a0 \u00a0 –\u00a0 \u00a0 2025 Release show L’orne,\u00a0Cinetol (Amsterdam, NL)presentation of album artworks\u00a0 \u00a0 –\u00a0 \u00a0 2025 Printed Matter, De Nieuwe Gang (Beuningen, NL)group exhibition, printmaking triennial\u00a0 \u00a0 –\u00a0 \u00a0 2025 First Contact, Analoog Studio & […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":382,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sophieteunissen.com\/index.php\/wp-json\/wp\/v2\/pages\/28","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sophieteunissen.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sophieteunissen.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sophieteunissen.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sophieteunissen.com\/index.php\/wp-json\/wp\/v2\/comments?post=28"}],"version-history":[{"count":229,"href":"https:\/\/sophieteunissen.com\/index.php\/wp-json\/wp\/v2\/pages\/28\/revisions"}],"predecessor-version":[{"id":1720,"href":"https:\/\/sophieteunissen.com\/index.php\/wp-json\/wp\/v2\/pages\/28\/revisions\/1720"}],"up":[{"embeddable":true,"href":"https:\/\/sophieteunissen.com\/index.php\/wp-json\/wp\/v2\/pages\/382"}],"wp:attachment":[{"href":"https:\/\/sophieteunissen.com\/index.php\/wp-json\/wp\/v2\/media?parent=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}